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Glastonbury 2005
Documentary

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The Thrills
The Irish Keep Gatecrashing (Behind the Scenes)

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The Thrills
The Irish Keep Gatecrashing

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The Thrills
Live

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The Thrills
Whatever Happened To Corey Haim?

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Thrills
Interview Feb 04

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The Thrills
Don't Steal Our Sun

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The Thrills
Santa Cruz (You're Not That Far)

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Glastonbury
With The Thrills, Turin Brakes, plus

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The Thrills
The Making Of a Debut album

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And so it came to pass that The Thrills relocated to San Diego for a four-month vacation. ‘It was just a brilliant summer for loads of reasons,’ says Daniel. ‘We rented this tiny place right on the beach. There were two little rooms with us and four of our mates crammed in. We found these two big couches outside the house, and a Lay-Z-Boy we found in a skip. We just dragged them onto the sand and completely lived it up.’ When you’re The Thrills, living it up is done to a backing track of Frank Sinatra, The Band, Marvin Gaye and Stevie Wonder and good-natured bickering over which Carole King sleeve rules the most. ‘Everything had changed when we got back to Dublin,’ says Daniel. ‘The way we felt was completely different. We knew this was what we had to do.’ A follow-up trip to San Francisco in 2000 only strengthened their resolve. Back in Dublin, they spent months locked away, transferring the sunshine vibe they’d soaked up in America on to demos, and signed a deal with a tiny local label Supremo in 2001.

The Thrills were on their way. Things didn’t quite work out with Supremo and they parted ways. But by the summer of 2002, word was getting around. (Luckily it hadn’t reached their parents, the boys had told them that superstardom was just round the corner when – oops – they didn’t in fact have a deal). All the major record labels started throwing money about, but last year The Thrills settled with Virgin, simply because the ‘vibe was right.’

So far, so easy. But the best was yet to come. After being tipped off by a mutual friend, the famously reclusive Morrissey bestowed his royal approval by turning up to a Thrills rehearsal. Though he nearly wandered into an empty room. ‘Our manager said ‘you’ve got a special guest coming to see you practise.’ When I found out it was Morrissey we planned to keep it to ourselves and give the rest of the band the shock of their lives,’ Daniel says. ‘But then the rest of the band phoned the night before and said they were going to cancel rehearsals and I had to tell them.’ Morrissey came, tapped his foot along to The Thrills sound and asked them to support him on tour. ‘It was amazing,’ says Daniel. ‘At that point, nobody had seen him for years.’ Did they hang out? ‘Yeah, we went out for a meal. It was basically us quizzing him for two hours. We’re all massive Smiths fans. The funny thing was, he couldn’t stand any of the other music we’re into. Then we mentioned Phil Spector and, thank God, he loves Phil Spector.’ But? ‘But then someone mentioned how great Spector’s Christmas album is and Morrissey said ‘I hate Christmas.’’

Still, they didn’t let that come between them and in September 2002 they wound up opening for him at the Royal Albert Hall. Not a bad start – it took Robbie Williams ten years to play there.  After that, it was only natural that the band should record their debut LP in Los Angeles, with Tony Hoffer, the producer behind great works by Air, Beck and The Smashing Pumpkins.

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